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Our Trustees

Meet the Board

St George’s Bristol is an independent charity, and as such, it is governed by a group of people who offer their time and expertise voluntarily. Our Trustees are selected through an open recruitment process and serve a term of 3 years, which can be extended once.

Richard Bacon

Richard is a bass baritone and cathedral musician who has sung regularly at St George’s every year since 1982. He is a founding member of Exultate Singers.  Richard retired from a career in PwC in 2018, where his work was mainly in not for profit assurance and governance. He now divides his time between acting as trustee/non-executive director and governance consulting. Richard met his wife Joanna at University and they have three grown up children.

Professor Raymond Warren brought the University Singers to perform at St George’s in 1982. It was particularly memorable because we sang some of his music, along with other contemporary composers which were new to me. I have since performed in a number of world premieres in St George’s with the Exultate Singers, including works by Naji Hakim and Jaakko Mäntyjärvi, both of whom travelled to the performances and helped us rehearse. 

Richard Bacon

Ben Heald (Chair)

Ben has been Chair of the Trustees since April 2018 and a Trustee since 2013. He studied psychology at Bristol University, then trained as an accountant with KPMG before returning to the city in 1996 to found digital media company Sift, which he now also chairs. He’s an amateur pianist and hopes one day to get back to playing the violin in an orchestra.

My most memorable St George’s experience was playing Mussorgsky’s Great Gate of Kiev from memory at the Musical Munros fundraising event for the St George’s capital development appeal in 2015. The first and only time I’ve ever had a standing ovation for anything I’ve done publicly! 

Ben Heald

Stephanie Jay

Stephanie is a PhD candidate at UWE Bristol, working in partnership with Colgate-Palmolive. In 2017, Stephanie co-founded SEPH Group, a creative management brand focused on nurturing creative talent across sectors including music, film, design and photography. She is also a creative producer, photographer, and curator who has worked with creative institutions in Nigeria and within the UK. Some of these exhibitions have been featured on the BBC, ITV, the Voice, Tafari Art Gallery, the Arnolfini, and across the streets of Bristol city.

Whilst I have yet to see a major performance in the hall at St George’s, my most memorable experience so far was watching a live performance this summer on the roof of the building with some amazing artists. Breath-taking views, incredible music and positive vibes.

Stephanie Jay

Chris Ladkin

Chris has been part of the business community in Bristol for nearly 40 years, over which time he has built an expansive network of professional contacts and friends. He has been involved in fundraising for St George’s for over 10 years, with a particular focus on the successful completion the new building in 2018. Chris’s professional specialism is in insurance, where he has owned or run a number of businesses in the Bristol area over three decades. Chris has a classical singing background, from head chorister of St Albans Cathedral to singing in various choirs and musical theatre clubs.

My earliest memory of St George’s is from the stage as part of Bath Camarata, a truly brilliant group of choristers who still regularly perform at St George’s. I did a number of recordings at St George’s many years ago too and so I have lots of great memories of this beautiful acoustic hall as both a performer and a visitor. 

Chris Ladkin

Robert O'Leary

Robert has lived and worked in Bristol since 1989. He set up an architectural practice with his wife Jenny Goss in 1991 – which celebrates its 30th anniversary this year. In his professional life, Robert has found new uses for historic or landmark buildings in or around the city, mixing the new with the old on projects ranging from the Robinson Building in Bedminster to Clevedon Pier.  As a Trustee, Robert has been involved in the new building at St Georges, a project that enhances the existing hall and secures its place in the future cultural fabric of the city. Frank Lloyd Wright said “architecture is frozen music,” and Robert is devoted to both arts.

My earliest recollection of St George’s is of Sunday afternoon concerts for children in the 1990s, which I took my son to and ignited his love of music. There is nothing finer than the enthusiasm of the artist, and the beauty of the music, lighting the flame in a newer generation. This is what St George’s is all about. And as an architect I just love the building.

Robert O’Leary

Olumide Osinoiki

Olumide Osinoiki is a freelance photographer, director, singer/songwriter and workshop facilitator. Olu is based in Bristol and represented by Rising Arts Agency & Babbasa fulfilling a broad spectrum of commissions for a diverse set of clients. Some of Olu’s notable clientele include the National Trust, the Guardian, the BBC and the Martin Parr Foundation. He has also spent time working within award-winning organisations like Plimsoll Productions and the Royal West of England Academy. Most recently Olu’s been working as a researcher at True to Nature for the second series of a Sky Kids show.

Elizabeth Raffle (Vice Chair)

Elizabeth is a Bristolian and former pupil of Red Maids’ School. She has always been an active musician, playing violin, piano, and, since lockdown, the ukulele. She believes passionately in the social and mental benefits of community singing and has also been spotted at many of Bristol’s open mic bars. Elizabeth is a Chartered Accountant specialising in Finance change and transformation through people. She has worked predominantly in financial services until recently setting up her own company.

I feel a strong connection to St George’s as my Dad was responsible for repurposing the building when it was a redundant church, and my friend’s step-mum was one of the founding trustees. Apart from amazing acoustics, the combination of the old hall, the new extension and gardens provide a great variety of settings for different styles of performance. I love the diversity of the programme, from opera and classical music to sea shanties, gospel, jazz and spoken word and I also love that, as well as the professional musicians, it also welcomes local schools and community groups giving them the amazing experience of performing in a world class music venue.

Elizabeth Raffle